What Really Happened at Art Basel Miami — and the Unspoken Future of Art and Tech

Art Basel Miami Beach 2025: Digital Art, Billionaire Collectors & Market Shifts.

Regular Animals (2025) is Beeple’s new installation in the fair’s debut Zero10 digital art section

Beneath Miami’s neon glow and opulent yachts, Art Basel Miami Beach 2025 revealed a path where the art world’s money and taste are quietly migrating. The energy was calmer than usual, more selective, as if the market itself had decided to start editing. The contemporary and blue-chip names sold briskly, emerging artists saw hot sales, money circulated smoothly, but the real story pulsed in the screens, the yachts, and one very casual Google co-founder in silk pajamas.

Down in Miami’s sun‑struck corner of the East Coast, the art world arrived expecting another blue‑chip ballet and instead watched the operating system quietly rewrite itself. Zero10 turned into a feeding frenzy as Beeple’s $100,000 robot dogs, cycling through Musk, Bezos, Zuckerberg and a Warhol‑meets‑Picasso wink before dropping into “poop mode”, sold out before the champagne lost its chill. What once looked like provocation now read as alignment: digital art snapped into place as the fair’s loudest signal and its next power center.

Larry Gagosian and Marc Glimcher.

The old guard still did its laps. Richter at Zwirner, Bourgeois and Condo at Hauser & Wirth, Warhol’s Muhammad Ali changing hands for eight figures, gallerists too busy selling to philosophize. Larry Gagosian sat sphinx‑like as a Maurizio Cattelan sculpture refused to budge, a non‑sale that played like performance while everything else quietly found a home.

Outside, the real theater was docked. The ex‑oligarch yacht Amadea lounged beside Sergey Brin’s $450 million Dragonfly, both doubling as backdrops for people who hadn’t seen a booth all day. Inside, Brin drifted through the fair in sneakers and silk pajamas, pausing at Richter’s Grau and a handful of Gagosian trophies; a man who could buy the fair twice over and still endow a museum for dessert. Whether he bought anything remains gossip; the shift in mood does not.

Google co-founder Sergey Brin with his girlfriend Gerelyn Gilbert-Soto.

By week’s end, Miami looked less like like a diagnostic scan: blue‑chip names doing their reliable six‑ and seven‑figure work while a younger, tech‑native collector class pushed capital toward art that lives as comfortably on a phone as on a wall. The booths stayed busy, but the true center of gravity hovered between the feed, the VIP lounge, and the dock. If you want to know what happens when Beeple’s robot dogs, blue-chip superstars, Sergey Brin, and a new collector class collide under the same fluorescent lights, and why the future of the fair is being written in code, not catalogues — read the full dispatch on Substack.

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Inside Art Basel Miami: The Parties, Power Players, and Surprising Shift in Mood